Great guitarists leave egos at the door
for Albany show
ALBANY
— Thursday night, an older Times Union Center crowd was treated to two
world-class guitarists — one of legend, Carlos Santana, and one heading there,
Derek Trucks.
The
bigger Santana gets, the more humbler he plays. He scattered his show with
video and vocal messages of peace, which permeated his playing, even at its
most aggressive moments. Powered by an army of percussionists, he opened with
the hopped-up “Jingo,” timbales, congas, bongos, maracas and more aligning a
wall of drums to set the stage for Santana to ring out with his guitar. Only a
handful of guitarists have a recognizable one-note tone: Santana is one of
them.
In
some ways, the show was one long percussion solo, laid over with different
vocal melodies and guitar solos, all the moments tense, some beautiful and some
thrilling. His instrumental ballads were gorgeous, sometimes speedy but always
controlled. He’s a master at creating space in his solos while attacking
aggressively. He did this often Thursday night, leaving room for his drummers
to fill. He thrives on his drummers.
The
oldies, like “You Can Depend On” and “Oy Ye Como Va,” hit the older crowd hard.
Santana blew the roof off of “Black Magic Woman,” one of his and anyone’s
greatest tunes of all. The younger folks in the crowd must’ve loved it, given
that they have it memorized from the video game “Guitar Hero.”
Santana
continued his theme of peace and compassion when he made reference to the
recent fall from grace of former New York Gov. Eliot Spitzer. “Our hearts go
out to the family of the ex-governor,” said Santana, silencing the jeers. “It’s
not about condemning or judging; it’s about healing. We’re all human.”
He
followed with a song “for the females” in the audience, a gentle duet with the trumpeter.
He stepped aside for his band to turn the arena into a dance club for a few
numbers before returning with the more current hit “Put Your Lights On.”
He
brought on Derek Trucks, and the two of them wandered into the ozone for a
while, losing and finding each other in a journey that seemed to have lost most
of the audience.
“Happy
birthday, Santana’s in town!” a band member yelled. It
was a gift alright, and one of the city’s musical highlights of the year.
Trucks opened the show with a classy set of tempered blues. His songs and playing aren’t far-ranging, but he’s an original and starting to integrate eastern influences with blues. He’s a genuine player heading toward greatness. His southern loyalties ground him well when experimenting, as it did on an instrumental based around “Greensleeves.” Santana joined him on this long jam, and Trucks showed more patience on his solo than even the saintly Santana did.
He pulled together his finest lead during “Get Out of My Life,” then closed the set with the melodic, almost bright “Up Above My Head I Hear Music In the Air.”
Together, Trucks and Santana are two of the most ego-less lead guitarists (an oxymoron?) on the circuit today. More than a pleasure, it was an adventure to see them both in one night.
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